Here at ‘Write Enough’ I blog about those ‘right enough’ moments – those instances of recognition and insight that occur as I write and engage with life in general. Writing the blog is also a way of ensuring that I ‘write enough’ to keep the creative river flowing. Please leave comments – I value all opinions.
my favourite quote: Whatever you can do, or dream you can, begin it. Boldness has genius, power and magic in it. Begin it now. (Goethe)
EVIE AND GUY by DAN HOLLOWAY
cover image © copyright Veronika von Volkova
IF – you were to read a brief bio of me – i.e. fifty-something primary school teacher, wife, mother, grandmother, resident of a Scottish, Hebridean island – you’d probably picture a late-middle aged (but not old of course) grey-haired, sensible, respectable and conventional woman. I know I probably would. We all do it – make lazy assumptions, go with stereotype, prejudice and preconception. It’s easier, less risky more comfortable. And for the most part in our busy lives, these filters that help us decode what we need to pay attention to – these ‘usual rules’ and our judgemental shorthand – are benign and get us through the day.
BUT – you probably guessed –there was a ‘but’ – there are times when assumptions and comfort-zone thinking can and MUST be laid aside. There are times when we should all start from scratch and try something new or get to know new people. There are times when we should approach and embrace the unknown with an open-mind. It’s how we grow, how we learn and how we thrive. It’s certainly my approach to life – despite fitting the above stereotype a lot of the time.
SO – what’s the above got to do with this book review? The answer is EVERYTHING.
Or rather it’s got everything to do with the book itself.
‘EVIE AND GUY’ BY DAN HOLLOWAY is a love story. It’s sad in parts. It’s happy in parts. It tells the story of a relationship between a man and a woman over several years and it tells it from the points of view of both lovers. So, those unfamiliar with Dan’s work will probably be thinking – oh, here Anne goes again. She’s been reading another soppy romance. And this Dan – he needs to man up – what’s he doing writing romantic fiction? If that’s what you’re thinking – STOP right there. Open your mind, you’re about to encounter something new and it’s worth making an effort to get your head round it.
‘Evie and Guy’ is a book without words. There – go figure… Figure being the operative word. Holloway tells the story using only numbers. And it works.
The story is told via a series of dates. I must admit I had to read and reflect, re-read and reflect, read again and ponder some more – before I started to get it. But I was in ‘embrace the new’ mode and I know Holloway is a writer worthy of time and trust. And you know what – it was worth it.
Having put in the effort, I began to see possible meanings to the dates, began to see a story. My interpretation may differ from yours of course – but that’s true when reading any book. I found it sad but hopeful – but then I am a romantic…
Contrary to what one’s prejudices might dictate, Holloway shows that it is possible to tell a story by numbers. Numbers and their patterns do form a sort of language. They do communicate something and they have meaning and relationship to each other.
I am a teacher of children with special needs and some of my pupils have little or no spoken language – not because of any physical difficulty in producing speech – but because they can’t use words. Words make little sense to them. But oh boy they can communicate. Being wordless does not equate with being dumb. There is a brilliant book on this very subject called ‘Autism and the Edges of the Known World’ by Olga Bogdashina. I reviewed it here. It deals with language as a barrier to communication.
Words don’t have the monopoly on language. A person who is extensively paralysed can communicate by blinking. Morse code uses dots and dashes. All codes use more obscure symbols to stand for less obscure ones. Words themselves are codes. Any form of communication requires the receiver to interpret the sender’s meaning.
With Holloway’s ‘Evie and Guy’ it’s simply down to a willingness on the part of the reader to decode and interpret the writer’s message.
Reading a book written entirely in numbers is like looking at a painting. You have to look and relook and really engage with what’s in front of you. You can’t skim and scan like you can sometimes get away with when dealing with the printed word. The same can be true of music. It can take a few listens to appreciate what you’re hearing. And perhaps it is music that Holloway’s book is most akin to. Numbers and music share several similarities. Both have pattern, rhythm and flow. Both can build to a high point and then ebb away. Both musical and mathematical ability come from the same region of the brain. Music and maths are capable of transcending language. They don’t need words.
So, yes – a book written entirely in numbers is weird. Yes, it’s hard work. Yes, it’s difficult to do and difficult to read. But that’s sort of the point.
I love words. I love verbal and written language. However, I salute, respect and admire what Dan Holloway has done in ‘Evie and Guy’. It’s brave, original and experimental. But more than that it’s liberating – and it works. Go on give it a try – you might surprise yourself.
‘Evie and Guy’ can be downloaded free as a pdf and Dan suggests that, if you can afford it, you can make a paypal donation to songsfromtheothersideofthewall@gmail.com
click the cover or here to download the free pdf of Evie and Guy.
It is also available from lulu.com in paperback format – see link below
Now available as a paperback for £6.99
Dan’s blog is at – http://danholloway.wordpress.com
Dan can be followed on Twitter at @agnieszkasshoes
I regularly post book reviews here on the blog. I read a lot. I don’t believe you can be a writer without also being a reader. I read a variety of genres and I’m equally fond of non-fiction and fiction. The only category that I’m not all that keen on is literary fiction. I’m either not intelligent enough to get it – or it really is pretentious twaddle.
Anyhoo – why am I telling you all this? Because today I’m starting a new series – yes here comes another series – of posts – which will all be book reviews. The reviews will all be categorised here on the blog as Anne’s Good Reads and any subsequent reviews that I do after this series ends will also have this phrase as a prefix to the book title. The books reported on will all be new publications i.e. brought out in the current year. And they will be drawn from all genres.
And why only ‘good reads’? Because I say so. I’ve said here before that I only review books that I can say mainly positive things about. For me life’s too short to dwell on, or write about, the negatives. I suppose you could say that I do book recommendations rather than reviews.
So let’s begin with the first official entry on the list of Anne’s Good Reads :
The Poison Boy by Fletcher Moss
magical storytelling for all ages
Wow! What a read! It’s easy to see why this first novel from Fletcher Moss won the 2013 Times/Chicken House Children’s novel competition.
It’s a swashbuckling, sewertramping, riverswimming, mudswilling, punchflinging, pistolshooting adventure story. Set at an indeterminate time – but one that recalls aspects of the Georgian, Victorian and Edwardian eras – and in the fictional town of Highlions – a sort of smaller, darker London type city – complete with river running through, the book has crime, intrigue and plenty of surprises – as well as a bit of sweet and innocent first love.
And, hurrah, there’s not a vampire in sight!
The story is told in a succinct and uncluttered way which gives it the brisk pace that its target readership demands. The plot is essentially a quest – a quest for justice and to solve a mystery. The main character is Dalton Fly who works as a poison boy. His work involves pre-tasting the food of the rich in order to ensure it’s safe to be eaten. After his friend and fellow poison boy dies horribly having drunk some poisoned wine, Dalton is on a mission to find the poisoner. The mission is dangerous, shocking and throws up some unexpected truths for Dalton.
The characters are complete originals. Dalton is a wonderful and endearing hero who is both brave and vulnerable. His friends, acquaintances and adversaries are also well-drawn. A few deft brushstrokes and his friends including Sal Sleepwell, Scarlet Dropmore and Luke Eppington are brought instantly to life. You only need to meet them once and you feel you know them. Dalton’s enemies are equally vivid. The truly awful Pallis Tench is gruesome, grotesque and great!
We are led through sewers and tunnels, up chimneys and along rivers, lanes and streets. We are steeped in mud, river water and filth. We see the sights, hear the sounds and smell the smells with lifelike clarity.
The imaginative use of language is superb. I especially love the character names and the ‘swear’ words – all complete inventions. And I suspect readers may well want to adopt ‘dreck’ and ‘kite’ as undercover curses.
The novel is aimed at 10 to 14 year-olds and would probably appeal most to the middle of that age range. But I have a feeling it could well be a ‘crossover’ book – appealing to adults and children alike.
This a stunning debut. I would love to read Dalton Fly’s further adventures and really hope there’s a sequel planned.
The Poison Boy is published by The Chicken House and is available from bookshops and on Amazon.
You can follow the author is on Twitter at @FletcherMoss
Love can be the motive -
English: The photographer’s wedding ring and its heart-shaped shadow in a dictionary. (Photo credit: Wikipedia)
but the profits of writing are diverse
A few weeks ago I began a series of posts on the theme of ‘Writing for Love or Money’. I wanted to explore what motivates writers – including myself - to write, how money can be made from writing even without a traditional publishing contract - and to discover if money is ever the main motive. As part of the series I invited several authors to contribute a guest post on what motivates them.
I hope you enjoyed discovering more about all of these talented writers and I want to say a huge thank you to all four of them – Helen Mackinven, Sara Sheridan, Dan Holloway and Andy Harrod for their time - and for sharing their personal and fascinating insights on the topic.
I think it came across very clearly that writing for me and my four guests is something that is vital to all of us. We are all very different types of writers and at different stages in our writing lives. We all write for different reasons - but we have a love of writing in common. Sara earns a living by writing and has a very successful, professional writing career and is published in the traditional way. Helen has studied writing as an academic discipline and is now writing her first novel. Dan and Andy are both unconventional and experimental in their writing. For them, publication is not at all about money, but is about communicating with themselves and with their readers.
For me, its an obsession and an addiction. It’s something I’ve always done as a way of hanging on – just – to my sanity. For me, it’s fun, challenging and therapeutic.
However, it’s only in recent years that I’ve come to think of publishing what I write. Having completed a novel as part of a midlife, now-or-never realisation, I realised I wanted it to be read. It hasn’t made me much money, but it has given me a huge amount of pleasure to have a (small) readership and to see my book in bookshops and online. I still have a day job, but if I’m honest I’d give up my long teaching career tomorrow if I could earn enough money from my writing.
And so to all writers reading this post, and its accompanying ones, I wish you well whatever your motivation. Remember, keep on keeping on, and profit in whatever way suits you from your love of the written word.
In this recent series of posts – ‘Writing for Love or Money’ I wanted to explore what motivates writers to write, how money can be made from writing even without a traditional publishing contract - and to discover if money is ever the main motive. As part of the series I have invited several authors to contribute a guest post on what motivates them. The contributors write very different things and for different reasons. I hope you enjoy discovering more about all of these talented writers.
This is the fourth guest post and it comes from Andy Harrod. I first came across Andy’s work when visiting a virtual exhibition at Dan Holloway’s Eight Cuts Gallery http://danholloway.wordpress.com/eight-cuts-gallery/ and Andy was a contributor. (Dan will also be doing a guest post in this series). I particularly love Andy’s book ‘Living Room Stories’ and reviewed it here.
THANK YOU ANDY!
Never about the Money
by Andy Harrod
I began writing not because of books but due to music, for when I immerse myself in the lyrics they act as a springboard for me to connect with disparate parts of myself, bringing feelings and thoughts together. Of late I have been able to do the same with instrumental music, to drift closer to what I am feeling. Through this I began slowly to unravel myself and my love affair with writing began.
Writing ever since has been a case of capturing those sensations on my edge of awareness and what it means to me to be alive and true to myself. It is not an easy ride, it certainly doesn’t make money, but it is about love. Love for myself and for others. My writing is focused on me, I don’t think of an audience, only what I wish to understand about my thoughts and feelings to help myself and how I relate to other people. Often my writing focuses on emotions to develop an idea, present a perspective, which I hope I leave hanging on the page for the reader to play with.
My writing can therefore be seen as a selfish act or perhaps a selfless one, depending on your view of what it means to be individual. I see a world of individuals as a beautiful thing, with each of us fulfilling what it means to be us. The selfish view comes in through the belief that by allowing(!) people to do what they want there would be no community, but the community I see around me is almost non-existent and shattered as we play out the roles given/inherited. Through this I don’t see contentment, but I do see a comfortable boredom and resentment within a much divided society.
So what does this tangent have to do with the love of writing? That to enjoy writing I believe you need a connection with what you are writing about and a passion for it. It doesn’t matter what other people think, it matters what you think, though tell my self-critic that! Therefore I very much believe in writing for yourself and not for others or what may be in fashion at the time. Through this I have come to develop my own voice and style and I am truly happy with where I find myself.
My latest book, tearing at thoughts (http://79ratpress.wordpress.com/2013/03/01/our-contributors/), a collection of writing, art and photography, is the accumulation of my unravelling. I think of tearing at thoughts as an album, each piece works separately, but together they layer and resonate the unspoken and the lost. It leaves me feeling exposed, as if I have laid bare my sense of self through a group of fictional characters as I attempt to bring the hidden and pushed aside into focus, through the hope that if it is brought into awareness, change may occur. I finally believe in my writing voice and I won’t allow it to be corrupted by paper lies. Of course it would be great to make a living from my writing, but I would never want it to control what I write. I would rather feel exposed. For the genuine, heartfelt and thoughtful comments I have received is the reward I want, and to be honest, the reward I have sought since I started writing.
BIO:
Andy Harrod is a writer, who writes not out of a desire to tell stories, but a need to understand, to find meaning and connect with self and life. Outside of writing Andy is a trainee person-centred therapist and runs the streets of Lancaster, one day soon the fells of the Lake District.
PUBLISHED WORK:
Living Room Stories was Andy’s first release, handmade (http://decodingstatic.blogspot.co.uk/p/living-room-stories.html) and kindle (http://www.amazon.co.uk/Living-Room-Stories-ebook/dp/B008HSMGGI/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1341573814&sr=1-1) editions are available.
tearing at thoughts is to be published by 79 rat press as part of their NOTHING TO SAY (http://79ratpress.wordpress.com/2013/03/01/our-contributors/) exhibition, available to buy from June 2013.
BLOG: Andy posts stories, photos, art and thoughts at Decoding Static (http://decodingstatic.blogspot.co.uk/).
TWITTER: Say hello at @DecodingStatic (http://twitter.com/DecodingStatic)
In this recent series of posts – ‘Writing for Love or Money’ I wanted to explore what motivates writers to write, how money can be made from writing even without a traditional publishing contract - and to discover if money is ever the main motive. As part of the series I have invited several authors to contribute a guest post on what motivates them. The contributors write very different things and for different reasons. I hope you enjoy discovering more about all of these talented writers.
This is the third in the series of guest posts. I first ‘met’ Dan Holloway several years ago on a peer review writers website. Later I kept up with him on Twitter and we both write for Words with Jam, an online magazine for writers. I have also visited and reviewed two virtual exhibitions of art and writing curated by Dan at his Eight Cuts Gallery. Dan is a true ‘indie’ writer as you will see.
THANKS DAN!
Love or Money
by Dan Holloway
It’s a truism that if you don’t love writing, really love it, you’ll get nowhere – wherever it is you want to go. But for me it goes beyond that. When I’ve tried to make money from my writing I’ve felt like my writing has really suffered, I’ve been distracted from the goals I’d always set for my writing. It even got to the stage where I have removed one of my books, which I originally self-published to make money, from availability for good.
My parents bought me an old school desk for my 3rd birthday, and I’d sneak downstairs to scribble at it almost every night, but despite that and the fact that our house always creaked beneath the weight of books, and I was brought up to idolise the likes of Virginia Woolf and Colette, the main creative influence in my life has always been art. And the desire to transfer the vibrancy I feel in the art world into the way people see books, combined with a love of philosophy and a burning ambition that comes from playing competitive sports from an early age, has led me to turn my back on the idea of ever making money. Or at least to consider it an irrelevance. I still feel slightly nervous putting my goals on paper (exactly the kind of nervousness that separates a lot of literature from a lot of art) because it sounds so over-reaching, arrogant even. I feel the need to make the obvious postscript every time I do – I am not saying I think I’m good enough to do it, I’m saying I have to try.
In short, I want to make literature the stuff of watercooler conversations the way the likes of Tracey Emin has done for art. I want people to look at books in new ways, to get excited by the possibilities they hold, to make them question what books, stories, words, really are and what they can do. And I want to unpick the structural power games, the patriarchies and colonialisms inherent in every language system, to pull language apart and with it the straightjacket that constrains the way we think of ourselves in the world, and to create from the unravelled mess a poetics of hope, the possibility of every voice truly being able to inject itself into the world.
The practical upshot of this is that what I feel most compelled to write is something no self-respecting publisher would go near. At least not one without a whopping subsidy behind it enabling it to take on board projects with very little chance of selling more than a handful of copies.
But it’s a very hard furrow to plough without deviation. The pull towards something more commercial is incredibly strong. I’ve succumbed to it on several occasions, trying to write thrillers – having a measure of commercial success in the process, but then finding people only wanted to talk to me about marketing or crime fiction, and that the things so deeply ingrained in my writing DNA were being left out of the picture. At other times I’ve found my spoken word shows reaching a wide audience and offered the opportunity to reach a wider one – if I just altered the content a little, made it more widely acceptable.
Pretty much once every six months I find I have to remind myself what I really want from writing, and radically repositioning myself towards the margins. It’s an incredible wrench, and when I am struggling to make basic rent and debt repayments every month it’s even harder, but it feels so much better when I do. And whilst it’s 99% certain that I’ll never achieve my goals, if I head down the path of even thinking about making money, that figure becomes 100%. So, my next project (after my first solo show at Cheltenham Poetry Festival, Some of These Things Are Beautiful, which is a poetic journey through the world of lost friendship), Evie and Guy, due out in May, is a novel without any words, told wholly in numbers. And I will be launching 6 titles from new, largely experimental, poets through my small imprint 79 rat press on June 10th.
You can see YouTube clips of Dan reading his work at the two links immediately below. N.B.Please be aware that although there is no swearing, the content is adult in nature.
Her Body https://www.youtube.com/watch?feature=player_embedded&v=qXXdIqA8LsI
Hungerford Bridge https://www.youtube.com/watch?feature=player_embedded&v=Q8HRava-2hc
LINKS
http://danholloway.wordpress.com (where my collection “i cannot bring myself to look at walls in case you have graffitied them with love poetry”, which accompanies my spoken word show, is free to download, along with my experimental novel “The Man Who Painted Agnieszka’s Shoes”)
http://79ratpress.blogspot.com
You can also read an illuminating interview with Dan over on Jill Marsh’s blog at http://jjmarsh.wordpress.com/2013/04/22/not-the-granta-1-dan-holloway/#comment-1845 -
In this recent series of posts – ‘Writing for Love or Money’ I wanted to explore what motivates writers to write, how money can be made from writing even without a traditional publishing contract - and to discover if money is ever the main motive. As part of the series I have invited several authors to contribute a guest post on what motivates them. The contributors write very different things and for different reasons. I hope you enjoy discovering more about all of these talented writers.
This is the second of the guest posts and it’s by author, Sara Sheridan. I really enjoy Sara’s novels and I first ‘met’ her on Twitter. And then last year I met her in person when I attended a talk given by her at Edinburgh’s Central Library. She was kind enough to invite me to meet her for a coffee before the talk. I reviewed Sara’s book, ‘The Secret Mandarin’ here on the blog.
THANK YOU SARA!
Love or Money by Sara Sheridan
It’s an interesting distinction. I’m a full-time professional writer and I don’t see why I can’t have both these things. Being a writer is a more difficult job than people imagine. Everyone assumes writers spend their time lounging around, writing and occasionally striking a pose while having a think (fair play, I do my share of lounging). These activities however, are far too small a proportion of my job. I spend my days researching in dusty old archives, travelling across the country to speak at book festivals, libraries and independent bookshops and dodging the pile of administration tasks on my desk (an estimated quarter of my time goes on administration including social media.) On top of that most years I write two books (a total of around 200,000 words because historical fiction is, well, longer). All in, I work harder than many of my friends who are in safe 9-5 jobs and I probably earn slightly less than I would if I was putting in those kind of hours on a ‘real’ job. That said, I love what I do. Unexpectedly so.
I started writing about 18 years ago. I had never considered becoming a writer – it wasn’t a long held ambition. I had just got divorced and was struggling to hold down my 9-5 job as a senior administrator in the charitable arm of a major university. I needed to find something with more flexible hours so I could look after my daughter (only a toddler at the time) and retain my sanity (or near enough). One night I made a list of all the jobs I could do from home and decided to try one at a time until I found something that worked. At the top of my list was Write A Book. This story drives people nuts and I feel guilty about how easy I found it once I got going. I knew nothing and nobody but someone told me a novel was 70,000 words (that’s a minimum) so I figured that if I wrote 1000 words a day for 14 weeks (weekends off, naturally) then I’d have a novel. So I did. Then I researched publishers. There were 96 publishers of fiction in the UK in those days. I printed 96 manuscript copies and sent them off. Within three weeks I had my first offer – and only then set about finding myself an agent. It’s a jammy story, I know. I was incredibly lucky. I make a point of telling people that from those 96 manuscripts I ended up receiving 4 offers (it’s approximately a 4% hit rate – so mostly I failed, of course. But it only takes one offer, no matter how long the odds). The book went on to become a Top 50 UK bestseller and I haven’t looked back.
If you’re lucky enough to have found something you love doing (inadvertently) then I have always believed you can’t be greedy for much more. I reckon as long as I’m earning the national average wage, then I can’t really complain. Most years since that book came out, I’ve achieved that. Sometimes I earn more. So yeah, I’m jammy (but I work hard for it) and I get to have love and money. Why not?
Some Sara facts:
Sara Sheridan is an historical novelist. The latest book in her Mirabelle Bevan Mystery series, London Calling, is out now.
“Intelligent, accessible writing”www.sarasheridan.comTweet me @sarasheridan http://www.facebook.com/sarasheridanwriter
Order Sara’s latest book, London Calling, the second 1950s Mirabelle Bevan Mystery here. The hardback is on special! In the last few weeks.. taking part in the 26 Treasures of Childhood exhibition at the V&A’s Museum of Childhood, receiving a professional development award from Creative Scotland, writing an article about 1830s Rio for BBC History magazine, filming a talent taster for BBC television, appearing at Bath Literary Festival, publication of London Calling, becoming a guest blogger on the Huffington Post and talking about historical ladies on Woman’s Hour.
Kimi’s Fear by John Hudspith
(YA fiction)
A novel of dislocation between parallel worlds and between childhood and adulthood
A second book is vulnerable to all the pitfalls of a ‘second’ anything – especially if the debut novel that it follows was exemplary. There’s the weight of expectation, the pressure not to betray the existing readership’s trust, the challenge to overcome the possibility of being a one hit wonder.
And, if anything, the pressure is even greater if the second book is a sequel -and is planned to be one of an extended series – as is the case with ‘Kimi’s Fear.’
However, Hudspith and his readers can relax. This new book delivers. It more than meets expectations. It keeps faith with the readers of the first book, ‘Kimi’s Secret’ and proves that the author is certainly no one hit wonder.
In fact, I’d go so far as to say that ‘Kimi’s Fear’ is better than ‘Kimi’s Secret’. And I loved ‘Kimi’s Secret’ - as did the many young people I know who read it.
I find it hard to believe, but the new book is a pacier, rather slicker read than its predecessor. Its themes of love, loyalty, betrayal, and challenge are more boldly stated. Kimi and her world(s) are even more vivid.
Kimi’s adolescence – her awkwardness at being caught not only between the worlds of Earth and Heart but also between childhood and adulthood are movingly described – and this will surely resonate with all readers.
Because Kimi is a year older in this latest book, then the handling of the themes and the vocabulary used are more grown-up – but Hudspith has pitched it just right for his core pre-teen and young teen readers.
As in the first book the plot is stunningly imaginative and complex – but as with Babbage although there’s a danger of disintegration – Hudspith has complete control and maintains the rigour and integrity of the whole throughout.
The twists are unpredictable – the Perry/Gorgeous scenario to name but one – and the end leaves you wanting more.
Although largely set on this planet’s parallel world of Heart (still love that anagram) – the book is earthy, real and rooted in the modern world. The shift in Kimi’s location is a fantasy but it has a lot to say about real life too.
In ‘Kimi’s Fear’ it’s as if J.K. Rowling meets Enid Blyton – and then Stephen King comes along, takes their best bits and does a mash-up. Hudspith – one hit wonder? No fear!
Kimi’s Fear is available as an e-book and in paperback from Amazon at http://www.amazon.co.uk/Kimis-Fear-Kimi-Books-ebook/dp/B00A9R61N4/ref=dp_kinw_strp_1
More information about the author and his work – including his other job as a freelance fiction editor can be found at various locations -
website: http://www.johnhudspith.co.uk
twitter @John_Hudspith
